Simon Perry's Eclipse on BFI Flipside Blu-ray and Digital in April
25 March 2025
A remote cliffside house on the Scottish coast provides the weather-beaten setting for Simon Perry’s eerie, atmospheric psychological thriller, adapted from Nicholas Wollaston’s haunting novel and inexplicably blown adrift since its release in 1977. Strange, unsettling and barely seen since it was shot nearly 50 years ago, Eclipse now finds safe harbour on Blu-ray for the first time, in a new scan from the best available 35mm archival materials, released on the BFI Flipside label in April. Extras include an audio commentary by the BFI’s Vic Pratt and a new filmed interview with actor Tom Conti.
Tom Conti (Oppenheimer, Merry Christmas Mr. Lawrence) stars as a bereaved brother troubled by memories of his twin, whom he saw die at sea. After returning to his childhood home for a Christmas celebration with his brother’s alcoholic widow (Gay Hamilton) and her son (Gavin Wallace), things begin to go awry as dark secrets and sibling rivalries surface once more.
Eclipse will be released on BFI Blu-ray, iTunes and Amazon Prime on 21 April 2025 as part of the BFI's Flipside label at the RRP of £19.99.
BLU-RAY FEATURES:
Newly remastered in 2K and presented in High Definition
Audio commentary by Vic Pratt, co-founder of BFI Flipside
Sun & Moon – Tom Conti Discusses Eclipse (2025, 10 mins): the actor on his experience of making the film
Relative Strangers: two stylish short films, The Chalk Mark (1989, 24 mins) and Marooned (1994, 20 mins), that echo the disjointed relationships central to Eclipse
Not Waving, Drowning: Joe and Petunia: Coastguard (1968, 2 mins); Charley Says: Falling in the Water (1973, 1 min); Lonely Water (1973, 2 mins): three haunting water-safety Public Information Films eerily adjacent to the psychogeographic headspace of the main feature
2025 trailer
Image gallery
First pressing only: Illustrated booklet with new writing on the film by Vic Pratt, an archival interview with director Simon Perry, an original review, an essay on the film’s locations by Douglas Weir and writing on The Chalk Mark and Marooned by the BFI’s William Fowler.