Cine Outsider header
Left bar Home button Disc reviews button Film review button Articles button Blogs button Interviews button Right bar
news archive
Older news stories have been archived by year and month, most recent first. They can be accessed by clicking on the links below.
2024 2023 2022
2021 2020 2019
2018 2017 2016
2015 2014 2013
2012 2011 2010
2009 2008 2007
2006 2005 2004
 
Paul Leni’s expressionist masterpiece Waxworks on Blu-ray in November

21 October 2020

Eureka Entertainment has announced the release of Waxworks, Paul Leni’s 1924 expressionist anthology masterpiece, on Blu-ray presented from a new 2K restoration on home video for the first time in the UK as part of the Masters of Cinema series. The first print run of 2000 copies will be presented with a Limited Edition O-Card Slipcase.

Waxworks [Das Wachsfigurenkabinett] w​as the final film Paul Leni directed in Germany before striking out for Hollywood and making such classic works of genre filmmaking as ​The Cat and the Canary,​ ​The Man Who Laughs​, and ​The Last Warning. Its sophisticated melding of genres was in fact what inspired Universal’s Carl Laemmle to invite Leni to come to Hollywood in the first place, as Laemmle was hoping to capitalise on the emerging comedy-horror craze of the 1920s. Yet ​Waxworksis, at heart, a pure example of German expressionism. Its stylised sets (designed by Leni), fantastical costumes, chiaroscuro lighting, and startlingly bold performances are paragons of the cinematic movement, and contribute heavily to the film’s lasting appeal.

The three separate episodes of ​Waxworks ​are united by the character of a young poet (William Dieterle), who is hired by the owner of a wax museum to create backstories for a trio of the museum’s figures: Caliph Harun al-Rashid (Emil Jannings), Ivan the Terrible (Conrad Veidt), and Jack the Ripper (Werner Krauss). The stories are depicted in succession (one per episode), the poet casting himself—as well as the daughter of the wax museum’s owner—at the centre of each tale. Though the poet and the daughter play different characters in the corresponding plots, they are always lovers whose relationship is threatened by the personages of the wax figures.

As there is no surviving original negative of ​Waxworks​, this newly restored edition—a joint effort by the Deutsche Kinemathek and Cineteca di Bologna, L’Immagine Ritrovata (with funding from the German Commission for Culture and the Media)—is composed of contemporary prints and additional film materials from archives around the world. The elements, including English intertitles, were scanned in 4K resolution and then restored in 2K. Presented by The Masters of Cinema Series and Flicker Alley in a special Blu-ray edition, there is an option of two new scores to accompany the film: one by the Ensemble Musikfabrik (commissioned by ZDF/ARTE), and the second by composer Richard Siedhoff.

Waxworks Blu-ray box art

Waxworks will be released on Blu-ray by Eureka Entertainment as part of the Masters of Cinema series on 9 November 2020 at the RRP of £22.99.

BLU-RAY FEATURES:

  • Limited Edition O-Card slipcase [First Print Run of 2000 copies ONLY]
  • 1080p presentation on Blu-ray from a new 2K restoration
  • Option of two newly created scores, by Ensemble Musikfabrik; and composer Richard Siedhoff
  • Audio commentary with Australian film and arts critic Adrian Martin
  • Paul Leni’s Rebus-Film Nr. 1-8 – Courtesy of Kino Lorber, these Leni-helmed cinematic crossword puzzles were originally screened in 1920s German cinemas as featurettes accompanying the main film. Each of these animated shorts was split into two parts—a clue and an answer—and presented before and after the visual presentation
  • In search of the original version of Paul Leni’s ​‘Das Wachsfigurenkabinett’​ – An interview with Julia Wallmüller (Deutsche Kinemathek) based on her presentation after the premiere of the restored film at Il Cinema Ritrovato festival in Bologna 2020
  • Kim Newman on Waxworks – An in-depth, on-camera interview with journalist, film critic, and fiction writer Kim Newman about the legacy of Waxworks
  • PLUS: A collector’s booklet featuring new essays by Philip Kemp and Richard Combs on the film’s history and significance; notes on the restoration process by the Deutsche Kinemathek; and rarely seen production photographs and promotional material